#thierry müller

[thommi-tomate]

appreciation to Thomas, that's it that's the post

What he (Thomas) did at the World Cup, people don't talk about it. They don't talk about it, but they should talk about it. He plays the game the right way: he defends, he attacks, he controls the ball when he has to control it, he reverses when he has to reverse it. When he has to finish, he'll finish.

He doesn't do stepovers, but when he has to perform, he performs. He does what the game asks him to do

-Thierry Henry

I’m too big a Thomas Müller fan!

Thomas was the player who had the most impact on a squad in my career. He was the second coach. Or sometimes the first coach when the coach didn’t know what to do.

-Mario Gomez

Thomas is an absolute leader. He gives you the feeling that you can relax and laugh sometimes, even when things weren’t going so well on the pitch.

-Niclas Füllkrug

As a coach, I would always put him in the team. No matter how many minutes he plays, he always does something with it. That’s Thomas. I always really enjoyed playing with him because he has a high football IQ. Eye contact was enough for us to know what action was coming next

-Miroslav Klose

Thomas is an outstanding footballer and a guy that doesn’t exist a second time. Nobody else in professional football is like Thomas

-Jamal Musiala

He is incredibly efficient and incredibly clever for football. His movements sometimes look a bit rustic, but are so often so incredibly correct and almost ingenious

-Jürgen Klopp

For me, no player embodies German football as much as Müller does,Thomas is important for the image of this team. He's won so many titles at the highest level, brings with him a huge wealth of experience, can lead his fellows, and is always a positive guy

-Franck Ribery

A dream. Thomas Müller is a dream.

-Uli Hoeneß

It's great to see the number 13 worn by another Müller. He's a good kid, he can play on the right and on the left, he can shoot with his right or left foot. He's like me

-Gerd Müller

Thomas Müller is unique. What he has achieved in football so far is a magnificent, admirable lifetime achievement. And once he steps off the big football stage, I will miss him. When he plays, Thomas is always an eye-catcher. There will never be another player like him: Just as there will be no more Franz Beckenbauer or Gerd Müller, there will be no more Thomas Müller.

-Jupp Heynckes

[lesser-known-composers]

Hendrik Andriessen (1892-1981) - Canzona for Cello Solo and Orchestra ·

Michael Müller · cello

Netherlands Chamber Orchestra · Thierry Fischer

[thomasmuellerfcbayern]

Es ist ein weiterer Meilenstein in einer außergewöhnlichen Karriere: Thomas Müller ist am Dienstagabend beim Champions League-Spiel gegen Real Madrid zum insgesamt 150. Mal in der Königsklasse zum Einsatz gekommen. Der Bayern-Routinier ist der erste deutsche Spieler überhaupt, der diese Marke erreicht (Toni Kroos folgt auf Platz zwei mit 149 Spielen).

Müller ist deutscher Rekordspieler in der Champions League

In der Geschichte des europäischen Wettbewerbs kommen nur fünf Spieler auf mehr Partien. Hier ist der Münchner Offensivspieler in guter Gesellschaft: An der Spitze steht Cristiano Ronaldo (183 Einsätze), es folgen Iker Casillas (177), Lionel Messi (163), Karim Benzema (152) und Xavi (151).

Dass Müller aus gutem Grund so oft in der Champions League auf dem Platz stand, wird spätestens beim Blick auf die ewige Torschützenliste deutlich. Kein deutscher Spieler hat in der Königsklasse mehr Tore auf dem Konto als der Offensivspieler des FCB. 54 Mal netzte der Nationalspieler bisher auf europäischer Ebene ein und übertrumpft damit Legenden wie Thierry Henry (50 Tore), Zlatan Ibrahimović oder Andriy Shevchenko (beide 48). Überhaupt haben in der Wettbewerbsgeschichte nur sechs Spieler mehr Treffer erzielt als der Ur-Bayer. Müller zählt ohne Frage zu den Besten der Besten.

Vor über 14 Jahren begann Müllers Champions League-Karriere im Duell mit Sporting Lissabon:

[blue-lock-rocky]

Q: Julien Loki or Noël Noa

Kaiser: for what? For a date? *reveals his signature shit eating grin* why is this even a question

Inspired by Thomas Müller’s response to “Mbappé or Thierry Henry?”

[diaryofamaniac]

Pepe Wismeer / Thierry Müller - Curieuse quiétude（2024）

　不安をとり除くには恐怖と戦わなければならない。眠れば夢の番人と出会えるがそれでは何かが足りない、水蒸気と木漏れ日の中、超越する自信その無意識が無くなると神でもいるのかと深層と根底からIlitchに逆行する。

[korrektheiten]

Thierry Breton (EU) ist weg – und es verwundert doch

PI schreibt: »Von MEINRAD MÜLLER | 27 Länder, 27 Kommissare – so funktioniert die EU. Diese Kommissare, eine Art Superminister, werden nicht demokratisch gewählt. Sie werden von den einzelnen Ländern vorgeschlagen, während das Europäische Parlament nur formell zustimmt. Jetzt tritt Frankreichs EU-Kommissar Thierry Breton überraschend zurück und mehrere offene Fragen bleiben: Was führte dazu, dass Ursula von der […] http://dlvr.it/TDJ3Lb «

[ozkar-krapo]

Paul COLLINS, Patrick MÜLLER, Thierry MÜLLER & Quentin ROLLET

"Correspondant à une Lettre"

(CD. Bisou rcds. 2024 / rec. 2023) [FR]

[elishamanning]

the discussion between harry kane and thierry henry about the tactical plan and the positioning of kane and müller was super interesting too

[goalhofer]

Every Goal Of The 2024 IIHF World Juniors Day 5

Germany Vs. Latvia

#9 Ēriks Mateiko (1) Uljanskis (1), Mots (1) 2:46 1st (Germany 0-1 Latvia)

#23 Rodžers Bukarts (1)(PP) Bulāns (1), Rullers (1) 9:06 1st (Germany 0-2 Latvia)

#16 Pēteris Bulāns (1) unassisted 13:23 1st (Germany 0-3 Latvia)

#7 Samuel Schindler (1) Nieleck (1) 6:30 2nd (Germany 1-3 Latvia)

#14 Rainers Dārziņš (1) D. Ločmelis (1), Vilmanis (1) 10:46 2nd (Germany 1-4 Latvia)

#22 Sandis Vilmanis (1)(PP) D. Ločmelis (2), Bukarts (1) 17:44 2nd (Germany 1-5 Latvia)

#22 Sandis Vilmanis (2) D. Ločmelis (3) 6:34 3rd (Germany 1-6 Latvia)

#28 Norwin Panocha (1) Sumpf (1), Bicker (2) 13:04 3rd (Germany 2-6 Latvia)

Switzerland Vs. Norway

#27 Simon Meier (1) Gredig (1), Ustinkov (1) 6:05 1st (Switzerland 1-0 Norway)

#18 Martin Johnsen (1)(PP) Solberg (1), Magnussen (1) 17:16 1st (Switzerland 1-1 Norway)

#15 Patrik Dalen (1) Kind-Bakkevig (1), Koch (2) 18:10 1st (Switzerland 1-2 Norway)

#5 Leo Braillard (1)(PP) Ustinkov (2), Reinhard (2) 5:49 2nd (Switzerland 2-2 Norway)

#10 Jonas Taibel (1) Müller (1), Terraneo (1) 10:16 2nd (Switzerland 3-2 Norway)

#4 Rodwin Dionicio (1)(PP) Taibel (2), Weber (2) 11:53 2nd (Switzerland 4-2 Norway)

#9 Thierry Schild (2) Taibel (3), Müller (2) 18:52 2nd (Switzerland 5-2 Norway)

#4 Rodwin Dionicio (2) Terraneo (2), Taibel (4) 5:12 3rd (Switzerland 6-2 Norway)

[thommi-tomate]

Translation:

Ousmane Dembélé?

Ambidextrous

Thomas Müller?

Funny

Ligue1?

Debut

Bundesliga?

Next step

Rennes?

Gambardella (Cup for 18-year-old French club categories)

Bayern München?

Mia San Mia

Eduardo Camavinga?

Dancer

Thierry Henry?

Role model

Leroy Sané?

Technical

Alphonso Davies?

Fast

Harry Kane?

Striker

The goat?

Cristiano Ronaldo

[artbookdap]

Some very good news on the book front. Lars Müller's 'The Spirit of Chairs' is here!⁠ ⁠ Presenting the renowned chair collection of ⁠ @thierrybarbiermueller — currently on view at @mudaclausanne — this 384-page feast for the eyes presents the humble chair as sculptural object. A surprising and delightful parade of seating that’s not always for sitting, it features work by Ron Arad, Arca, Alexey Brodovitch, Choi Byung-Hun, Sandro Chia, Niki de Saint Phalle, Tom Dixon, Front Design, Frank Gehry, Godspeed, Michael Graves, Gruppe B.R.A.N.D., Mary Heilmann, Steven Holl, Richard Hutten, Franco Joly, Donald Judd, Shiro Kuramata, Daniel Libeskind, Xavier Lust, Javier Mariscal, Jasper Morrison, Bruno Munari, Marc Newson, Isamu Noguchi, Objects of Common Interest, Werner Panton, Maria Pergay, Tejo Remy, Ettore Sottsass, Philippe Starck, Richard Tuttle, Maria Uys, Franz West and Zoom Design.⁠ ⁠ Edited with foreword by Marie Barbier-Mueller. Text by Thierry Barbier-Mueller, Lorette Coen, Chantal Prod'Hom, Charlotte Savolainen-Mailler, Jamieson Webster, Robert Wilson.⁠ ⁠ Read more via linkinbio.⁠ ⁠ #chairdesign #barbiermueller #thespiritofchairs #spiritofchairs ⁠ https://www.instagram.com/p/Cn4p61xunBp/?igshid=NGJjMDIxMWI=

[merzbow-derek]

POST-SCRIPTUM 1029

LA VÉRITÉ, L’AIGU, LE RÉEL EN SOUFFRANCE (VENDREDI 30 NOVEMBRE 2018)

[restwaerme]

MPD & Das Lolitakollektiv https://www.discogs.com/MPD-Das-Lolitakollektiv-MPD-Das-Lolitakollektiv/release/397105

MNEM ‎– For Delta Relics https://www.discogs.com/MNEM-For-Delta-Relics/master/1245234

Ostinato – Left Too Far Behind https://www.discogs.com/Ostinato-Left-Too-Far-Behind/release/888588

Ruth ‎– Polaroïd/Roman/Photo https://www.discogs.com/Ruth-Polaro%C3%AFdRomanPhoto/release/588672

[laurentgudel]

SOLO / MUTE / PAN — DUO WITH OLGA KOKCHAROVA - KUNSTHAUS BIEL CENTRE D’ART BIENNE 

SOLO / MUTE / PAN is a collaborative exhibition project that brings together for the first time Olga Kokcharova (*1985, CH / RU, Geneva) and Laurent Güdel (*1984, CH, Biel), two sound artists whose common ground is their work with listening and sound spatialization. Using various recording and amplification techniques, Olga and Laurent auscultated the Kunsthaus building during the hot summer 2022. Their respective approaches consider phonography (the writing of sound through microphones) not only as a documentation process, but also as a performative and musical act.

Using microphones, sensors and measuring devices, the two musicians recorded the electromagnetic radiation emanating from the lighting in the exhibition rooms, from control panels, security systems and the payment terminal. They also recorded the creaking of the parquet, the grumbling of the air conditioning and ventilation system, and the evening silence of the empty offices. The special acoustic of the Salle Poma was activated with the help of feedback techniques, horn loudspeakers, a small radio receiver and two pairs of shoes. Olga and Laurent also practiced soundwalking, recording each other, without making too much noise, as they wandered through the bowels of the building and its immediate surroundings. For example, they crossed the building from the roof to the basement, where the art depository of the Kunsthaus collection is located, via the staircase of the emergency exit. Sometimes they met tenants of the studios, recalcitrant printing devices or Elmo the cat.

Olga and Laurent have developed a sound piece that extends over two floors of the old building. They have assembled the accumulated sound material into a composition that is played on an acousmonium (an orchestra of loudspeakers with different properties) and distributed through the Kunsthaus’s exhibition space. This setup of loudspeaker refers to the field of electroacoustic music while diverting it from its initial purpose. Thus, the two artists operate in the intermediate space between musical composition and sound art.  Their approach contradicts the very idea of museum architecture – which consists of a succession of exhibition spaces – by relying on the inherent property of sound not to care about walls. Here everything spills over, leaks and opens up.

Each visitor is encouraged to build their own path through the sonic environment of the installation, to find their own rhythm, their own places to stop or their ideal listening position. These choices lead to a unique listening experience. Thus, each person becomes a co-creator of the sound composition.

As part of the exhibition, Olga and Laurent are organising four residencies of artists working at the intersection of music and sound art. During a three-day residency at the Kunsthaus, these six guests* work on, intervene in or expand a part of the sound system installed for the exhibition. Each residency finishes with a performance and leaves a noticeable trace in the composition created by Olga and Laurent.

The exhibition will be documented in the form of an audio tape.

Duration of the exhibition: - 18.9.-20.11.2022

Curator of the exhibition - Stefanie Gschwend

External ear / Sound technique - Thierry Simonot

External eye / Scenography - Fanny Courvoisier, Mathieu Winkler

*Guest & Performances - Caroline Profanter - Annette Schmucki & crys cole - Antoine Läng & Luc Müller     - Jean-Philippe Gross  

Exhibition views - Guadalupe Ruiz

[diaryofamaniac]

Ruth - Mon Pote / Mescalito（2007）

　批評や全世代と決別する極限へ走る風の狂いを起こすような反抗がパンクの一面でもあるかと思われる、それら生まれてから半世紀ほど過ぎた現在、ブームなど関係なくテクノロジーの興奮も乗りつぎ、始まりの衝動が示したものから地続きとなるインナースペースを育てる生きざまに僕は本当のパンクを感じるのです。彼等先人に共通して見えるのは全てを受け入れるバラストが敷き詰められた覚悟、人間の底力があるのです。そしてこれは先日に続きThierry Müllerが 70年代に録音したもの、躁が爆発する始まりのパンクは騒がしく生意気がある。